Columns linked to English National Opera

A Stark and Powerful Carmen for English National Opera at the ...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875, with a libretto by Ludovic Halévy and Henri Meilhac, is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once they are besotted with her, however, she quickly moves on, leaving them heart broken and unable to accept what has happened.  In the opera Don José, an army...


Julia Burbach’s New Production of Cinderella for English Natio...

Sam Smith

Gioacchino Rossini’s La Cenerentola, performed here in English as Cinderella, is based on the traditional fairytale. While many versions of it exist, the one that is most widely known in the English speaking world was published in French as Cendrillon by Charles Perrault in his Histoires ou contes du temps passé in 1697. Unlike Perrault’s version, however, Rossini’s steers clear of the more supernatural elements, and many have argued that this reflects the...


English National Opera Presents Thea Musgrave’s Mary, Queen of...

Sam Smith

Mary, Queen of Scots, a commission by Scottish Opera that premiered at the Edinburgh Festival in 1977, is the first of Thea Musgrave’s four operas on historical figures. It is also the first for which she wrote her own libretto, with her starting point being an unpublished play by Amalia Elguera, who had previously written the libretto for Musgrave’s 1973 opera The Voice of Ariadne.  While there have been plays and operas about the character before, the majority have...


First Revival of Joe Hill-Gibbins’ The Marriage of Figaro at t...

Sam Smith

In 2020 director Joe Hill-Gibbins did not have much luck with his new staging of Mozart’s The Marriage of Figaro for English National Opera. Premiering on 14 March of that year, it was set to run until 20 April, but enjoyed no more than its first performance after COVID-19 saw all UK theatres close the following week and a formal lockdown declared on 23 March. What is technically therefore the production’s first revival at the Coliseum is in reality the first time it will...


Second Revival of Mike Leigh’s The Pirates of Penzance at the ...

Sam Smith

The Pirates of Penzance; or, The Slave of Duty is the fifth Gilbert and Sullivan collaboration, and premiered in New York City on 31 December 1879. It made its London debut on 3 April 1880, and was warmly received with the critical consensus being that it represented a significant advance on the duo’s earlier works. The Herald in New York suggested that ‘the new work is in every respect superior to the Pinafore, the text more humorous, the music more elegant and more...


Harry Fehr’s New Production of The Elixir of Love at the Londo...

Sam Smith

Premiering in Milan in 1832, The Elixir of Love, with a libretto by Felice Romani, is one of Gaetano Donizetti’s most popular operas. Originally set in a village in the Basque Country at the end of the eighteenth century, it sees the peasant Nemorino love the landowner Adina, even as she tells him she is fickle and that he should forget her. When, however, she reads the legend of Tristan and Isolde, Nemorino is inspired to ask travelling quack doctor Dulcamara if he has any of the...