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Festival of Voices For A Naïve Cenerentola at the Liceu

Xavier Pujol

La Cenerentola, even more than Il Barbiere di Siviglia, is the true encyclopaedia of Rossinian singing which, in a barbarically summarized form, could be defined as a singing that must be easy, fluid, light, but in no way inconsistent; a line full of high notes to which the interpreter should never arrive puffing, exhausted, strangled and at the limit of their strength after a risky climb, but should fly over it elegantly and lightly, taking advantage of the fact that Rossini never forces...


Irish National Opera Brings Vivaldi’s L’Olimpiade to the Royal...

Sam Smith

Antonio Vivaldi’s L'Olimpiade uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara’s eponymous 1733 opera. Vivaldi’s own version premiered at Venice’s Teatro Sant’Angelo on 17 February 1734, while the libretto would go on to be set to music by over fifty composers including Giovanni Battista Pergolesi in 1735. The action takes place in ancient times in Sicyon during an Olympic Games. Megacle plans to enter...


A Surreal Double Bill: Larmes de couteau and Full Moon in Marc...

Sam Smith

This Royal Opera double bill, performed by Jette Parker Artists, presents two one-act operas that were written at broadly opposite ends of the twentieth century, but received their premieres just eight years apart. Bohuslav Martinů composed Larmes de couteau, to a French libretto by Georges Ribemont-Dessaignes, in 1928, but it did not receive its premiere until 1969 at the State Theatre, Brno. The music demonstrates the composer’s then preoccupation with jazz, while the story...


The London Philharmonic Orchestra is the Star of Götterdämmeru...

Sam Smith

Götterdämmerung is the fourth and final opera in Richard Wagner’s tetralogy Der Ring des Nibelungen, and premiered at the Bayreuth Festspielhaus on 17 August 1876 as part of the first performance of the entire work. The first three operas tell the story of the overthrow of the old world order of the gods, who rule through order, contract and treaty, by the mortals whose power derives from morality, reason and, above all, love. The moment that encapsulates the...


Nadine Sierra Heads an Outstanding Cast in Lucia di Lammermoor...

Sam Smith

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835, with a libretto by Salvadore Cammarano, is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry the...


Orgia: Parra and Bieito Recreate Pasolini

Xavier Pujol

The opera Orgia, for three voices and chamber orchestra, with music by Hèctor Parra and libretto by Calixto Bieito, which had its world premiere at the Teatro Arriaga in Bilbao in June 2023, has now arrived at the Liceu in Barcelona. Orgia, of which only two performances will be offered in Barcelona, is based on the play of the same name by Pier Paolo Pasolini, which was premiered -some say not very successfully- in Turin in 1968. Bieito's libretto has reduced the theatrical...


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