A Surreal Double Bill: Larmes de couteau and Full Moon in March at the Royal Opera House, Covent Garden

RIchard Wagner Das Rheingold Staatsoper unter den Linden Berlin A Rheingold without any gold The creation of this Ring der Nibelungen production has a prologue: the planning and staging of this entire Ring with its four works lasting a total of approx. 16 hours in one season, was supposed to be a birthday present from the Staatsoper Unter den Linden to its General Music Director, Daniel Barenboim. Unfortunately, Daniel Barenboim had to step down from conducting the three Ring...

Giacomo Puccini’s La bohème of 1896, with a libretto by Luigi Illica and Giuseppe Giacosa, is one of the most frequently performed operas in the world today. Originally set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì,...

Intolleranza 1960 at the Komische Oper Berlin The icy wind of history The first production of the 2022/23 season at the Komische Oper Berlin, and at the same time the start of the new general management by Philip Bröking and Susanne Moser, could not have been more visually spectacular: The entire auditorium was covered with endless metres of white, semi-transparent tulle.  You still remember the packaging artists Christo and Jeanne Claude? The wrapped Reichstag in Berlin...

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, occurs on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially triumphant and sent news of victory back to...

It is difficult to achieve great success when singing or conducting Don Pasquale, but it is also difficult to fail. Don Pasquale, the last capolavoro of opera buffa, is a comfortable and friendly work which does not present major problems. Vocal requirements are important though perfectly acceptable for professional singers and the same goes for the orchestral part. The work is not one of those mythical titles in the repertoire that make or break a career. There are devotees of...

Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871, with a libretto by Antonio Ghislanzoni, centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasro is captured in battle, with the...