Columnist space

Sam Smith

S_avatar

Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .186

The Valkyrie heralds the start of a new Ring Cycle at the Lond...

Sam Smith

English National Opera is commencing a new Ring Cycle, directed by Richard Jones, but rather than starting with the first opera in Richard Wagner’s tetralogy, Das Rheingold, it is beginning with the second, The Valkyrie. Then, over the next five years, the complete series will be presented in a co-production with New York’s Metropolitan Opera. While in the initial instalment the chief god Wotan manages to retain his status and magnificent fortress Valhalla, albeit at a...


First Ever Production of HMS Pinafore at the London Coliseum

Sam Smith

Although this is English National Opera’s first production of HMS Pinafore, it has a long and proud tradition of performing works by Gilbert and Sullivan. It is, however, a deceptively difficult task for a major opera house to pull off their creations because it is so easy for any production to fall either side of the tightrope it inevitably walks. On the one hand, these operettas require energy and so it is always a risk that top professionals in their pursuit of excellence will...


Lisette Oropesa Dazzles as Violetta in La traviata at the Roya...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today, and the Royal Opera’s current season is putting a special focus on the work. From October 2021 to April 2022 there will be no less than twenty-five performances featuring six different sopranos in the main role of Violetta. The initial run, which ends on 17 November 2021, will see Lisette Oropesa, Kristina Mkhitaryan and Anush Hovhannisyan play the lead, while Angel Blue,...


Fourth Revival of Phelim McDermott’s Satyagraha at the London ...

Sam Smith

Philip Glass is recognised as one of the leading figures in minimalism today, and yet it is not a word he especially likes. This is understandable since it can severely underplay the variety of music that is all too often categorised under this one umbrella term. Glass himself has written over twenty-five operas, yet even if we look at just his trilogy that focuses on pivotal figures in the fields of science, politics and religion respectively, the styles of composition are markedly...


An Eighteen Month Delay but Worth the Wait for Jenůfa at the R...

Sam Smith

Jenůfa, which premiered in Brno in 1904, is an opera in three acts by Leoš Janáček to a Czech libretto by the composer. It is based on the play Její pastorkyňa by Gabriela Preissová, and is one of the very first operas to be written in prose. Set in a Moravian village in the nineteenth century, the plot concerns a series of tangled relationships that derive from the fact that two fathers both married twice, and had a child by three of their four...


Tenth Revival of David McVicar’s The Magic Flute at the Royal ...

Sam Smith

Sir David McVicar’s 2001 production of Rigoletto for the Royal Opera may just have been displaced by a new version by Oliver Mears, but his The Magic Flute of 2003 is still going strong. Mozart’s final opera, which premiered on 30 September 1791 just a few months before the composer’s death, takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity...